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POST PRODUCTION COORDINATOR

POST PRODUCTION COORDINATOR TRAINING PROGRAM

"As a result of WarnerMedia’s commitment to building a more inclusive workforce, WarnerMedia Access has partnered with Reel Works’ MediaMKRS program to create a free 7-week training program to develop post-production coordinators that will prepare them to work in high-end scripted programming. Trainees will connect with industry professionals who will provide them with real-world knowledge, collaborate with peers to apply their learning in scenario-based practicums, and gain tools to enhance their communication, critical thinking, and collaboration skills."

© Media Sources by WarnerMedia and HBO

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Since the start of my career, I was always passionate about working in Production. When I heard about the Post Production Coordinator training program, I was so determined to get in. After 2 rejections and 4 interview rounds, I finally got into the Spring 2021 3rd Cohort class as a Post Production Coordinator trainee. I was so excited about this opportunity because it was a chance to learn more about Post Production in high-end scripted programming outside of my day job of working in media sales for entertainment networks.

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In 6 weeks, I met 15 likeminded individuals who also wanted to get a career in Post Production. We learned from our instructor and Post Producer, Kendall McCarthy, who showed us the ropes of role expectations and responsibilities as a Post Production Coordinator. In this program, we learned how to screen dailies, complete Post paperwork and manage ADR sessions from booking to budgeting.

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Thank you, Reel Works' Keisha Katz, and HBO's Cynthia Kanner for creating this program to fruition. This was an unforgettable experience.

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Case Study

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In the Post Production Coordinator training program, my class and I worked on executing post coordinating tasks for HBO's Plot Against America as a case study project to better understand what a Post Production Coordinator specifically does on a scripted show. We learned how to use PIX to screen dailies and Screenchronize to house studio files for Lab, Editorial and Post to communicate. In this class, I also learned how to carry out sound element responsibilities such as managing ADR sessions, credit paperwork and stock footage licensing for Post Production team.

To the left, I mocked up a movie poster for Plot Against America for creative exercise.
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Certification

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